Visiting the Nail Salon With Ectrodactyly | Manicure With Missing Fingers

While some (often privileged) strangers react to my limbs with naked curiosity or cruelty, these technicians seem almost uniformly unperturbed, at least to my face (and I can’t blame someone for commenting on an unusual thing they saw at work that day once they’re off the clock). While they are often underpaid and mistreated by their employers, I have found them to be uniformly kind when unexpectedly confronted with my digits. This wordless acceptance is such a rarity in a country that so often castigates, isolates, or otherwise oppresses those with physical differences. None have ever called me a freak, or sneered in disgust when presented with my fingers — which isn’t something I can say for everyone I’ve encountered in my 32 years.

In some cases, manicurists are extra gentle, handling my fingers like butterfly wings, which is a show of kindness, but nevertheless makes me feel weird in the pit of my stomach. I always worry that I’m making an already demanding, underpaid, and hazardous job more difficult by needing them to adapt to the unexpected shapes of my atypical fingers, or that I’ve made them feel they need to mask their surprise. Dwelling on this additional emotional labor takes away from the small luxury that is getting one’s nails done, and even though I go out of my way to be grateful and polite (and directly tip the technician at least 30 percent in cash), it can be hard not to feel like a burden.

It’s not the same as other salon experiences: I get the occasional facial treatment when I can, but everyone has skin, so these vulnerabilities and anxieties aren’t present. Lobster claws feel like another matter entirely.

Now that nail salons are beginning to open back up — regardless of whether or not it’s actually safe for some states to do so — many of the workers who lost their livelihoods as a result of the initial closures are heading back to work. The future of the industry remains a question mark, but it does seem inevitable that customers will start going back.

I might, eventually, though I can’t imagine returning before the danger passes for everyone — not just those who have the option of choosing to stay home. My disability doesn’t place me at an increased risk from the coronavirus, but that’s certainly not the case for many other people in the disability community nor the workers themselves. And there is always a power dynamic from the moment you step into a nail salon as a customer, so it’s your responsibility to ensure you’re doing so as ethically as possible — especially now, when wearing a face mask and following safety protocols can be a matter of life or death.

And when that point does come, for me, going to the nail salon will remain the only time I can go into a public place and feel truly, utterly unremarkable — almost boringly human. The last time I got my nails done in New York City, I summoned up the courage to apologize for making things harder, and asked the technician who was absorbed in applying my topcoat whether she’d ever seen anyone like me before. She looked up with a warm, reassuring smile, shook her head, and said, “Honey, I’ve seen a lot.” The comment was a kindness she didn’t need to offer me, but I am still so grateful for it. The absence of surprise (or horror) at my hands felt like a gift.

Like many other groups who are marginalized by American society — including immigrant workers of color — people with visible disabilities are rarely afforded the luxury of banality. Moving through the world while being noticeably “different” can be exhausting, and in the age of Zoom calls and FaceTime, those of us who would normally be out and about haven’t gotten much of a break from that feeling. As much as I struggle with even identifying as disabled, those visits to the salon really help to reinforce the comforting idea that no individual body is really all that interesting, but everybody deserves to feel cared for — and to have cute nails if they want to.

This article was supported by The Economic Hardship Reporting Project (@econhardship).

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Kim Kelly is a Philadelphia-based writer. You can follow her on Twitter.

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